國影電影編號：M2023_07_018

放映規格：DCP

級別：保護級

片長：173分鐘

發音：華語、台語

字幕：中英

楊德昌 Edward YANG｜日本 Japan｜2000｜DCP｜Color｜173min

2000 坎城影展最佳導演 Best Director, Cannes FF

★ 本片演員吳念真將出席 9/17 映後座談 Post-screening Q&A with Actor Wu Nien-jen

《一一》為楊德昌的遺作，也是「新臺北三部曲」的終曲。影片聚焦一個臺北中產階級家庭：NJ、敏敏這對夫妻與念高中的婷婷、讀國小的洋洋、同住的婆婆，以及敏敏的小弟與其妻。他們皆對自身處境感到迷惘，於是各自出走，探尋解答。角色們有著各自的際遇卻又彼此相連，楊德昌一貫地以多線敘事交織出獨立又多重的生命樣貌。精煉的敘事與圓融的調性，被視為其巔峰之作，獲頒2000年坎城影展最佳導演。此後，他宣布告別電影，追尋動畫之夢。本片因影片版權問題，2017年才正式在臺灣上映。

「如果要講一個關於生命的故事，可以用單一的個人，拍他的每個生命階段，從小到大、到老。但若我要講一個這樣的故事，最好就講一個『家庭』，因為所有的年齡都有一個代表，所有的人又都是密切相關的，他們的經驗可以投射到彼此身上。」——楊德昌

Yi Yi: A One and A Two… is Edward Yang's last feature film and the finale of the New Taipei Trilogy. It delves into the lives of a middle-class family as they navigate dilemmas and seek the meaning of existence. Yang skillfully weaves together the characters' experiences, creating multi-layered and abundant portraits. The film's sophisticated storytelling and harmonious tone are regarded as Yang's pinnacle achievement, earning him the Best Director award at the 2000 Cannes Film Festival. Subsequently, he announced his departure from filmmaking to pursue animation. Due to copyright issues, Yi Yi finally received its anticipated theatrical release in Taiwan in 2017, many years after his death.

"When telling a story about life, one can capture every stage from birth to death through an individual's perspective. However, if I were to tell such a story, focusing on a "family" is the ideal approach. Because each life stage would be represented, and all the members would be closely interconnected. Their experiences could be reflected upon one another." —Edward Yang