國影電影編號：M2025_10_010

放映規格：DCP

級別：輔12級

片長：109分鐘

發音：英語

字幕：中字

亞弗烈希區考克 Alfred HITCHCOCK｜美國 USA｜1960｜DCP｜B&W｜109min

2001 美國電影學會影史百大驚悚片第一名 1st place in AFI's Top 100 most thrilling American films list

1992 美國國家電影保護局典藏影片 National Film Registry

為了和心愛的情郎私奔，商社秘書咬牙私吞公款，連夜駕車潛逃，卻在途中遭遇滂沱暴雨，被迫下榻荒野中的一間汽車旅館。櫃檯接待斯文有禮地殷勤招待，卻在提及家中老母時略顯古怪。不疑有他的秘書放下戒心，正欲盥洗更衣，渾然不知大難即將降臨。

驚悚大師希區考克以極具創意及張力的鏡頭調度聞名。《六個嫌疑犯》中隔著玻璃的人物剪影、《死亡十字路》裡打破日常視角的俯瞰鏡頭，皆為《驚魂記》的經典手法，加上冷戰背景中社會現實瀰漫的緊張氛圍，在在串聯起林摶秋及彼時台灣電影「由日本而世界」的共時星叢。

In a desperate attempt to elope with her lover, a secretary embezzles funds and escapes by car, seeking refuge at a secluded motel during a violent storm. The clerk's casual mention of his elderly mother seems harmless at first, yet an undercurrent of danger subtly builds, lurking just beneath the surface... From the shadowy silhouettes in Lin Tuan-chiu's Six Suspects to the dramatic overhead shots in Umetsugu Inoue's Crossroad, these cinematic techniques, epitomized by Alfred Hitchcock's Psycho—combined with the pervasive tension of the Cold War era—echoed throughout 1960s global cinema that defined the era's noir sensibilities.