國影電影編號：M2023_07_012

放映規格：DCP

級別：保護級

片長：166分鐘

發音：華語

字幕：中英

楊德昌 Edward YANG｜臺灣 Taiwan｜1983｜DCP｜Color｜166min

1983 金馬獎最佳劇情片、原著劇本、導演提名 Nominated for Best Feature Film, Best Original Screenplay, Best Director, Golden Horse Awards

1983 亞太影展最佳攝影 Best Cinematogrpahy, Asia Pacific FF

★ 本片演員李烈將出席 8/19 映後座談 Post-screening Q&A with Actress Lee Lieh

佳莉與哥哥的前女友旅外鋼琴家蔚青敘舊。當年哥哥順從父親，與蔚青分手；佳莉違抗父命，爭取自己的愛情，卻迎來破碎的婚姻。自從在海灘發現疑似丈夫足跡的那一天之後，一切有了不同。此為楊德昌首部執導的劇情長片，由新藝城與中影共同出資合製。敘事往返於回憶與現實之間，藉由女性的生命歷程透視臺灣社會與家庭變遷。其突破片廠舊制度的人事任用，史詩般的架構、現代的女性論述，無疑是臺灣電影的一次創舉。

「創作的核心：以處於社會邊緣地位的家庭主婦視角，描繪一段因著快速增長的經濟發展、社會價值觀與節奏變遷、人際關係發生劇變、舊有道德標準與新實用主義之間衝突所困擾的婚姻關係。」——節錄自楊德昌《海灘的一天》個人創作筆記

Jia-li reunites with Wei-qing, her brother's former girlfriend. Years ago, obedient to their father, Jia-li's brother broke up with Wei-qing. In contrast, Jia-li defied her father's wishes and fought for her love, only to end up in a broken marriage. However, everything changes after she discovers some suspicious footprints on the beach. This film is Edward Yang's directorial feature debut, jointly produced by Cinema City Enterprises Co. and CMPC. The narrative intertwines memories and reality, reflecting the rapid changes in 1980s Taiwan through the life experiences of women. This film represents a groundbreaking achievement in Taiwanese cinema, not only its departure from the traditional studio system but with its epic structure and contemporary youth perspective.

"Main Objective: To articulate a marital relationship which has suffered from rapidly growing economic society, changes in social values, changes in social rhythm, changes in human relative distances, and conflicts between the old moral standards and the new practicality. From a marginally positioned housewife's point of view." —Excerpt from Edward Yang's note on That Day, on the Beach