國影電影編號：M202301034

放映規格：DCP

級別：普G

片長：96min

發音：葡萄牙語、潮州話、韓語

字幕：中英字幕

文明繪語 Apiyemiyekî?

安娜．瓦茲 Ana VAZ｜巴西Brazil、法國France、荷蘭Netherlands、葡萄牙Portugal｜2019｜DCP｜Colour, B&W｜28min

2020 柏林影展 Berlinale

2020 鹿特丹國際影展 IFF Rotterdam

1985年巴西軍事獨裁政權在亞馬遜州自由貿易區推動開發，為建設公路奪走大片原住民族領土。後來的研究者與當地原住民進行了第一波識字體驗，留下許多對其文化、歷史與經歷的第一手描繪。導演透過識字體驗中帶著童趣筆觸的塗鴉手繪稿，結合地景與研究者的口述，道出一段當地原住民仍難以理解的歷史。

An archive of drawings made by the Waimiri-Atroari during their first literacy experience built a collective visual memory from their learning process, perspective and territory, while attesting to a series of violent attacks taking place during the Military Dictatorship.

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直到海裡長出森林 When the Sea Sends Forth a Forest

劉廣隸 LIU Guangli｜法國France｜2020｜DCP｜B&W｜21min

2021 奧地利林茲電子藝術節 Ars Electronica Festival

2021 芝加哥地下電影節 Chicago Underground FF

故事由一位輾轉逃亡歐洲的華裔倖存者的回憶展開，以現存稀少的政宣與戰後歷史影像，搭配遊戲引擎建構的3D虛擬實境，創造虛實交織而詩意的獨特敘事風格，重構這段於1975至1979年間，赤柬政權犯下種族滅絕事件的歷史創傷。不同時代背景與科技的媒材營造出撕貼畫的質感，亦成為另一層隱喻。

Images simulated in real time by a graphics engine are interwoven with fragments of archival footage, while telling the story of a Chinese survivor of the Khmer Rouge and reflecting upon how traumatic historical events continue to reshape our present in virtue of today’s narration.

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後現代韓國 Post Modern Korea

李泰雄 LEE Taewoong｜南韓South Korea｜2021｜DCP｜Colour, B&W｜47min

2021 曼谷國際紀錄片獎 BKK DOC

2021 百想藝術大賞文化類最佳電視節目 Baeksang Arts Awards

運用KBS電視台拍攝的各種素材，包括政宣、新聞、戲劇、綜藝節目，以幽默諷刺的視角審視殖民留下的創傷。朝鮮在日本統治37年後獨立，殖民政府留下的總督府建築，令南韓人民爭辯不休。1990年代南韓充斥著仇日情結，高喊恢復民族精神，以超越日本為唯一目標，這棟承載愛恨情仇與歷史記憶的建築也再度被提起⋯⋯。

In the early 1990s, South Korea started regaining confidence in itself. ‘We hosted one of the most successful Olympic games ever. We are rich enough. Nobody can look down on us now. We are finally SOMEBODY.’ But there was one problem. Korea’s past history, especially in relation to Japan, is something many Koreans wish to forget and erase from the history books if possible. How could Koreans straighten their ‘distorted’ history?