＃1
張立人、成媛、芮蘭馨  CHANG Li-Ren, CHENG Yuan, RUI Lan-Xin
FM100.8（空間紀錄） FＭ100.8 (Spatial Record ver.)｜29'10''｜彩色有聲｜2020

這些逝去的、被遺留下的場景，空洞的廊道與規格化的入口、房間，和今日時空相比之下顯得不合時宜的風景，暗示了某個曾經的規訓與秩序，集體的存在與行動。這些在不同時代氛圍下的相似經歷，好像有著部分的重疊與連繫，在不同的時間與空間中，彼此糾纏。

Bygone scenes that have been left behind, empty hallways and standardized entrances and rooms, and landscapes that have become outdated in today’s time, all of these seem to suggest a doctrine and order that used to exist and also a collective existence and action that used to take place. Similar experiences that had occurred throughout different periods in time seem to partially overlap and connect, as they interlock with one another in different times and spaces.  

＃2
洪瑋伶（安魂工作隊） HUNG Wei-Lin (Libera Work-gang)
寫字的人 Keep Writing｜7'30''｜彩色有聲｜2019
日治時期的台灣總督府工業研究所、1949年後國民政府的空軍總司令部、現今的臺灣當代文化實驗場......建築物隨著時代更迭轉換成不同功能，男子卻一直困在裡面，跟隨著規律節奏，不斷抄寫軍籍政治犯「判決書」。鉅細靡遺的罪行描述，一筆一畫反覆謄寫的是國家認定的罪名憑證、抑或是穿越時空的困惑、離散與思念？ 
 
From Industrial Research Institute of the Taiwan Governor-General's Office during the period of Japanese rule to the Nationalist government's Air Force Command Headquarters, and then Taiwan Contemporary Culture Lab. While the building has played diverse roles in different eras, the man has been trapped inside and transcribed the “judgment” of military-political prisoners with rhythm continuously. The crimes are described in excruciating detail. Is he writing down the evidence recognized by the state or the confusion, separation, and nostalgia that passed through space and time? 

＃3
引爆火山工程  Engineering of Volcano Detonating
焱族：首部曲 The History of Yen｜27'00''｜彩色有聲｜2021

《焱族：首部曲》緣起自大屯火山群周遭流傳的一種紅眼、紅皮膚的矮人傳說展開，連結至外星生命、飛碟目擊事件、古圖籍、遺跡與魔神仔的關係，凝聚各種異質知識在「火山」此一地理場域中的匯合，藉以編織一種朝向「火山之城」（The City on Volcanoes）在近未來的科幻敘事。

The History of Yen originated from the tales of a red-eyed, red-skinned short man who resides around Datun Volcano Group; the project depicts the connection between extraterrestrial life, UFO sightings, ancient tomes, relics, and devil gods (môo-sîn-á). Various heterogeneous knowledge is agglomerated in the geographical field of volcanoes, weaving into a science fiction narrative towards “The City on Volcanoes” in the near future. 

＃4
許哲瑜、陳琬尹 HSU Che-Yu, CHEN Wan-Yin 
編號314 Rabbit 314｜7'17''｜彩色無聲｜2020

此作由許哲瑜與長期合作的夥伴陳琬尹共同發想。作品靈感源自一隻在動物實驗室裡死去的兔子。藝術家借了實驗兔的屍體，並邀請一位操偶師操演，返還──由人所設計出的──兔子生前樣貌。 

This work is a cooperation with HSU Che-Yu's long-time collaborator, scriptwriter Chen Wan-Yin. The death of a laboratory rabbit initiated this project. A glove puppetry performer with the laboratory rabbit's dead body in hand reenacts the movements - imagined by humans - of rabbits. 

＃5
許哲瑜、陳琬尹 HSU Che-Yu, CHEN Wan-Yin
一隻綠頭鴨的不尋常死亡 The Unusual Death of a Mallard｜16'45''｜彩色有聲｜2020

此作由許哲瑜長期合作的夥伴陳琬尹撰寫劇本。藝術家回憶道：「奶奶年輕時就職於一間動物實驗室，由於工作性質的特殊性，奶奶需要實驗活體動物，並將其解剖。有時，她會將實驗室裡的動物偷偷帶回家，作為父親兒時的玩伴。仍是孩童的父親，模仿着奶奶的樣子對動物進行實驗。動物成為介於寵物與實驗動物之間的存在。」 
This work is a cooperation between artist HSU Che-Yu and his long-time collaborator, scriptwriter CHEN Wan-Yin. As Hsu recalls, “My grandma served in an animal laboratory for 30 years. Due to the particularity of her job, grandma had to dissect living animals for observation and experiments. Sometimes, she would take the laboratory animals home, which later became my father's childhood playmates.” 

＃6
李亦凡 LI Yi-Fan
不好意思...請問一下這個怎麼打開 howdoyouturnthison｜16'32''｜彩色有聲｜2021

一具虛擬數位人以奇怪的姿態，呢喃著兒時記憶、動畫史與科幻想像...。片段化的資訊，幽微地勾勒出當代後人類的處境。藝術家參照1990年代機造電影的運作模式，運用遊戲引擎中的虛擬實境設備，開發自己的影像表演工具，並藉由工具嘗試操演敘事。在這研究開發的荒誕過程中，揭示人類的情感表達與機器媒介間的複雜關係。

A digital human appears in a strange manner, mumbling about childhood memories, the history of animation, and science fiction... The fragmented message subtly outlined the status of contemporary post-human. howdoyouturnthison uses virtual reality features in the game engine to develop his video performance tool and tries to manipulate the narrative based on the operation of Machinima during the 1990s. In this absurd research and development process, he disclosed the complex relationship between human emotional expression and the machine medium. 

放映地點 Venue｜
國家電影及視聽文化中心 小影格
Cinema B, Taiwan Film and Audiovisual Institute
放映場次 Date｜
2022/09/02 (Fri.) – 09/04 (Sun.) 14:00-15:44
* 免費放映，自由入場 Free Admission
* 每場次依數字序放映六部影片，總長度104分鐘。
Each session screens six works in number sequence, total duration 104 mins

指導單位 Supervisor｜文化部 Ministry of Culture 
主辦單位 Organizer｜臺灣當代文化實驗場 Taiwan Contemporary Culture Lab 
協辦單位 Collaborator｜國家電影及視聽文化中心 Taiwan Film and Audiovisual Institute