鄉愁對話錄 Turtle Island: Nostalgic Voices
李泳泉 LEE Yung-chuan｜台灣 Taiwan｜2000｜DCP｜Colour, B&W｜21 min

遷村到宜蘭20幾年的陳啓耀說：「每一次到外海捕魚，都想靠近一點看看龜山島，即使多看一眼也好。」所有兒時的記憶、美好的人情味都跟著遷村埋藏在龜山島上。在遷村的島民心中，看著當初被迫離去的家鄉，如今變成遊客「自強活動」的遊樂場，不免透露幾許不忍和不安……。

李泳泉：「我本來以為龜山島跟自己的關係很近⋯⋯事實上卻是一廂情願的，是自己想的。到底應該站在他們的立場，還是我的立場？我的立場又是憑什麼？自己很拿捏不定。這部片子是要替他們講話呢？還是拍得讓大家看了之後，想去那裡觀光呢？到後來，我發現一切都是為自己的鄉愁而拍。」

When fishing at sea, he always glimpses Guishan Island. Childhood memories and the villagers' distinct qualities were buried there during the village’s relocation. 'Now, we hide our homesickness in dreams'. Witnessing the island's tourism deeply affects displaced islanders.

'I originally thought my relationship with Guishan Island was close... but it was wishful thinking, my own imagination. Should I stand in their shoes or mine? What exactly defines my standpoint? I'm quite uncertain. Is this film meant to speak for them or to make everyone want to visit the place? Eventually, I realised everything was filmed for my nostalgia.' - LEE Yung-chuan

2000 TIDF 台灣國際紀錄片雙年展

基隆嶼的青春紀事 Trouble
吳介民 Jimmy WU｜台灣 Taiwan｜2000｜DCP｜Colour｜17 min

對摸不著、看不到它的大多數人來說，基隆嶼是不存在的。除非你信仰，並試著踏上這塊土地。基於對於事實的不確定，造成了對生命的不確定，但往往也因為如此，我們獲得了更多的自由。這是一部記錄意識的紀錄片，也是一部記錄紀錄過程的紀錄片。讓我們對「紀錄」這樣一個名詞加以深刻的思考。

吳介民：「心變的比身體還快，所以永遠無法記錄下什麼，有時候一直想說，如果讓自己單純一點會不會好些，可是我偏偏就是不願放棄。當所有情況充滿垃圾的時候，你為什麼還在要求精品？島嶼所在的地方是一個婆娑世界，所以完美與缺陷一直並存……。」

When a boat sets off, passengers may anticipate their destination's appearance. Some believe imagination can transport them, while others need firsthand experience. The story of Keelung Islet documents both a process and a state of consciousness.

'Emotions change faster than the body, so nothing can be permanently recorded. Sometimes I think, if only I could simplify myself, would things be better? But I refuse to give up. When everything is filled with trash, why do you still demand excellence? The place where the island is located is a transient world, so perfection and imperfection always coexist…' – Jimmy WU

2000 TIDF 台灣國際紀錄片雙年展

清文不在家 Libangbang: Ching-Wen's Not Home
郭珍弟 KUO Chen-ti｜台灣 Taiwan｜2000｜DCP｜Colour｜35 min

造屋，是清文長久以來最想為父母做的一件事。為了蓋屋，他們用完最後一點現金，清文只好留下未完成的新家，再度離開蘭嶼到台灣工作賺錢。達悟族一年一度的飛魚季即將開始，清文的母親仍不知道孩子會否回家⋯⋯。

郭珍弟：「這幾年往返台灣與蘭嶼的歲月中，我與清文分享了許多快樂時光。我一心希望為清文在蘭嶼的生活留下一些影像紀錄，也為他量身打造了一個劇本。然而，幾年的等待，當我終於得到一點點拍攝影片的贊助時，他卻已經離開蘭嶼了。」

The film was shot in two periods. Initially, during Kuo's visit to Ching-wen rebuilding his parents' home, unplanned as a documentary. Later, funding came, but Ching-wen left for Taipei. Kuo returned to Orchid Island, capturing memories of Ching-wen.

'Over these years, moving between Taiwan and Orchid Island, I shared many joyful moments with Ching-wen. I hoped to document his life on the island and even wrote a script for him. Yet, after years of waiting, when I finally received a bit of funding to film, he had to leave Orchid Island.' – KUO Chen-ti

2000 TIDF 台灣國際紀錄片雙年展

2001 Yamagata IDFF 山形國際紀錄片影展

西嶼坪 West Island
朱賢哲 CHU Hsien-che｜台灣 Taiwan｜2000｜DCP｜Colour｜31 min

西嶼坪是澎湖南方四島之一，不足一平方公里的島上，從全盛時期200多人定居，到1999年僅剩四戶人家與四名駐島警察。孤立與遺忘是這座島嶼的特質，攝影機凝視被邊緣化的他們，見證生命在此被遺忘，卻也快樂又卑微地生活著。

朱賢哲：「你只要站在島上一個最高的地方，早上你可以在那裡看日出，下午你可以在那裡看日落。你在一個點，就可以360度把這個島看完了。感覺上，你能著陸的地方很小，可是你的視野又非常、非常的開闊。」

West Island lies south of Penghu, under a square kilometre in size. At its peak, around 200 people lived here, but by 1999, only few remained. It's uncertain if their departure was coincidental. Both the island and its inhabitants have faded into obscurity.

'You just need to stand at the highest point on the island. In the morning, you can watch the sunrise, and in the afternoon, you can watch the sunset there. Standing at one spot, you can see the entire island in 360 degrees. It feels like the area where you can land is very small, but your vision is incredibly vast.' - CHU Hsien-che

2001 Visions du Réel 瑞士真實影展

2001 IDFA 阿姆斯特丹國際紀錄片影展

 ▀ ▙ ▝▚ ——— 𝟮 𝟬 𝟮 𝟰 𝗧 𝗜 𝗗 𝗙 ——— ▘ ▞ ▘ ▜

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