國影電影編號：M202301018

放映規格：DCP

級別：輔12級

片長：116 min

發音：華語、緬語、英語

字幕：中文、英文

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★本場次有映後座談

The screening will be followed by a Q&A session with the filmmakers.

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二〇二〇年的一場雨 Rain in 2020

李永超 LEE Yong-chao｜台灣Taiwan、緬甸Myanmar｜2021｜DCP｜Colour｜79min

2022 台灣國際紀錄片影展國際競賽評審團特別提及Jury Special Mention, TIDF International Competition

2021 釜山影展 Busan IFF

導演以過去七年的紀錄影像，映照一家人的今昔，也反映緬甸現況。2020年疫情擴大，阿典從翡翠礦場回到家裡，雨季時節，一場大雨使整個家裡、社區浸泡在污水中；防疫的口罩濕了又風乾，緬甸人民生活的困境，彷彿未能退去的混濁污水般，不知何時才看得到盡頭。

Rain in 2020 took LEE Yong-chao seven years to make. It shows how a family copes with the changing situation and what is happening in Myanmar. Amid the pandemic in 2020, a torrential rain caused the family and the entire village to soak in the flooding sewage. Nobody knows when the muddy water will be gone and what will come after the storm.

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事件現場製造 The Making of Crime Scenes

許哲瑜 HSU Che-yu｜法國France、台灣Taiwan｜2021｜DCP｜Colour｜22min

2022 台灣國際紀錄片影展台灣競賽優等獎Merit Prize, TIDF Taiwan Competition

2022 台灣國際紀錄片影展台灣影評人協會推薦獎 Taiwan Film Critics Society Prize, TIDF Visionary Award

2022 鹿特丹國際影展 IFF Rotterdam

美籍台裔作家江南在1984年於自宅遭槍殺，而當年開槍的殺手吳敦，獲赦出獄後，以製片人身分成立電影公司並拍攝多部武俠片。本片重返過往吳敦曾使用、現已廢棄的電影製片廠拍攝武俠片段，並與刑案現場負責鑑識掃描工程的團隊合作製作動畫，由演員、3D掃描團隊共同重現其工作場景。

During the martial law period, a Taiwanese American writer Henry LIU was shot dead by assassin WU Dun. This case was later confirmed to be a political murder jointly committed by the Military Intelligence Bureau and United Bamboo Gang in Taiwan. After being released from prison, WU became a film producer and established a film company that produced ‘wuxia films’. In this film, the filmmaker revisited WU’s abandoned studio to restage the events with forensic scanning techniques.

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K的房間——關於世界的創造與毀滅 K’s Room – The Creation and Destruction of the World

洪瑋伶 HUNG Wei-lin｜台灣 Taiwan｜2020｜DCP｜Colour｜15min

2022 台灣國際紀錄片影展台灣競賽評審團特別提及 Jury Special Mention, TIDF Taiwan Competition

2021 法國克萊蒙費宏短片影展 Clermont-Ferrand ISFF

1960年出版的《新英文法》是台灣暢銷至今的文法書之一，也是當時青年學習英文、通往新世界的入口，而作者柯旗化卻先後因左傾思想及戒嚴時期叛亂罪入獄長達十七年。本片提取書中文法例句，以密碼解讀方式描繪獄中作者精神世界，在唸讀英文、家書和檔案影像拼貼間，回應戒嚴時期國家、邊界及個人關係。

‘K’s room’ is a mental space that serves as a metaphor for the complex relationship between men, boundaries, and the nation state during Taiwan’s martial law period. All the lines in the film were extracted from New English Grammar, one of Taiwan’s most popular English grammar books published in 1960, as a way of reconstructing the mental state of its author Mr. K who was sent to prison due to political reasons.