電影放映

【真實撞擊】每日新聞:我們的時代編年史+91

【真實撞擊】每日新聞:我們的時代編年史+91

節目簡介

國影電影編號:M202210026

放映規格:Blu-ray

級別:普遍級

片長:88 min

發音:無/俄語

字幕:中文、英文

Daily News – A Chronicle of Our Days

每日新聞:我們的時代編年史

迪娜・卡拉曼Dina KARAMAN︱俄羅斯Russia︱2019︱Blu-ray︱B&W, Colour︱62 min

2019 莫斯科國際實驗影展 Moscow International Experimental Film Festival

2019 聖彼得堡國際影展 Message to Man International Film Festival

《每日新聞》是1944至1992年間蘇聯重要的政宣節目,於1984年改名為《我們的時代編年史》,以明快的影像與澎湃的音樂和旁白,操弄觀者的感官與愛國之情。創作者將此批資料影像依時序排列,鋪陳蘇聯統治下,從全盛期的富國強兵,走向最終的分崩離析,並刻意將激昂的聲音抽離,在翻閱一頁頁過去的同時,顯露出在大時代下的無聲之人。

Newsreels were one of the most powerful tools of Soviet propaganda. They also make up a significant part of the state film archives. In the newsreels, the recent past presents itself as a monolith of silent images, firmly stitched together by the narrator's voice and soundtrack subtly playing the viewer's feelings. It is exactly this original sound that the artist suggests to detach from. Just two or three minutes long episodes retain the original montage, which was meant to follow the upbeat narration. Flickering images of the past, which perhaps can only become enchanting to us today by revealing their muteness.

91

迪娜・卡拉曼Dina KARAMAN等十位︱俄羅斯Russia︱2021︱Blu-ray︱Colour︱26 min

2021 聖彼得堡國際影展 Message to Man International Film Festival

1991年蘇聯爆發八月政變,歷時僅三天,卻就此吹響同年蘇聯解體的歷史變奏。本片由10位成長於九〇年代的創作者共同協作,節選政變街頭的現場錄音,結合各自的家庭錄像,以蒙太奇回望也重構。雜沓音軌中的警民對峙紛鬧依舊,粗礪影像上的笑顏則歡快如昔,音畫檔案見證歷史,封存時間,轉化意義,看似衝突的影音各自表述也互文對話,交織集體與個人密不可分的時代紀事。

The experimental work was made by a collective of ten filmmakers, a generation raised in the beginning of the 90’s Russia. A film pieces together found home video tapes made by their relatives from that time and a sonic trip down the memory lane to the streets of the 1991 Soviet coup d'état attempt in August, Moscow. The events that brought about the end of the Soviet era become the reference point for the elusive reality of the next decade, documented by the people of the new country with their home cameras.

★ 10/9 (日) 16:10場次,創作者迪娜・卡拉曼及弗拉基米爾.納登將出席映後座談。

The screening on 10/9 will be followed by a Q&A session with filmmakers Dina KARAMAN and Vladimir NADEIN.